In Coralie Fargeat's new feminist scary movie The Substance, dangerous social charm standards are actually the real monsters. They (female objectification, the fingertip of "the old," the spread of an industry improved physical body alteration) nourish a beast of a cycle that leads Demi Moore's fading television individual character Elisabeth S

The Descent (2005) The Descent, 2005 This horror film about a crew of women traveling through an unknown cave system, and finding creatures living underground is a claustrophobic and terrifying watch. The direction of Neil Marshall is masterful, and (blog) the performances by everyone in the all-female ensemble are superb. (blog post)